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Jules Massenet / Pietro Mascagni

La Navarraise / Cavalleria rusticana

Pietro Mascagni
CAVALLERIA RUSTICANA
Opera in one act

The libretto was written by Giovanni Targioni-Tozzetti and Guido Menasci
Based on CAVALLERIA RUSTICANA by Giovanni Verga.
 
First performance on May 17 th , 1890, at the Teatro Costanzi, Rome
Premiere in Georgia: on January 12 th , 1892, Club of Artistic Society, Tbilisi

Santuzza – Khatuna Chokhonelidze
Turiddu – Otar Jorjikia
Alfio – Giorgi Lomiseli
Lola – Irina Alexidze
Lucia – Natalia Volchenko

Tbilisi Opera and Ballet  State Theatre Orchestra and Chorus 

Principal Chorus Master: Avtandil Chkhenkeli
Music Director of the Production: Zaza Azmaiparashvili

Director: Victor Garcia Sierra
Scenographer: Italo Grassi

 

Jules Massenet

LA NAVARRAISE

épisode lyrique in one act
Libretto: Jules Claretie and Henri Cain
After Jules Claretie's short story La Cigarette

Premere: 20 june, Covent Garden, London 
Premiere in Georgia: Season 1895-96, Tbilisi Opera Theatre

Anita – Irina Taboridze
Araquil – Armaz Darashvili
Garrido – Mamuka Lomidze
Remigio – Kakhaber Tetvadze
Ramon – Rostom Iashvili
Bustamante – Valerian Mchedlidze

Ballet Duo: David Ananeli, Ekaterine Lominadze

Tbilisi Opera and Ballet  State Theatre Orchestra and Chorus 
Principal Chorus Master: Avtandil Chkhenkeli

Music Director of the Production: Zaza Azmaiparashvili
Director: Victor Garcia Sierra
Costume designer: Ester Martin
Lighting designer: Stefano Gorreri
Choreographer: Nina Ananashvili

Head of Production and Chief Lighting Technician: Amiran Ananiashvili

Staff Costume Designer: Tamar Chargeishvili
Chief Stagehand: Gia Geladze
Stage Manager: Marina Burtchuladze

Production of The Teatro Carlo Felice, Genoa
Artistic Director of the Theatre: Badri Maisuradze

 

Anita IRINA TABORIDZE
Araqui ARMAZ DARASHVILI
Garrido GIORGI LOMISELI
Remigio GIVI GIGINEISHVILI
Ramon ZURA IASHVILI
Bustamente TSOTNE MOTSONELIDZE

Ballet duet Ana Revazishvili, Tengiz Khutsishvili

 

Santuzza MAKVALA ASPANIDZE
Turridu GIORGI STURUA
Alfio ALBERTO GAZALE
Lola MARIA VIDAL
Lucia ELENE JANJALIA

Plot

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CAVALLERIA RUSTICANA

Easter morning in a small village of Sicily. Turiddu’s singing is heard from afar – a few minutes ago he said good-bye to his mistress Lola – the wife of carriage driver, Alfio.

The villagers are gathering on the square, some of them are hurrying to mass, others are wandering around. Opposite the church is Mamma Lucia’s Tavern. Santuzza, Turiddu’s fiancé is coming to this very place to look for him. The young woman feels restless with jealousy. She tells Mamma Lucia that Turiddu has not gone to Francofonte to buy some wine; he spent the previous night in the village with Lola. The old woman is taken aback; she invites Santuzza into her house. Santuzza refuses and reminds her that she has been excommunicated from the church. Before Lucia finds out more, the villagers on the square start greeting Alfio. The carriage driver has just finished his favourite job and Is returning home quite happy because he is sure that
his beautiful Lola is waiting for him faithfully. Alfio greets Mamma Lucia cordially and asks if she still has that special old wine. “I do not know, it is for some wine that my Turiddu left the house”, says the woman.
But early in the morning it was Turiddu that Alfio caught sight of near his house. This news astonishes Lucia once more but Santuzza signals her to be quiet.

The villagers go into the church to pray. Lucia, left alone, listens to Santuzza’s sad story. It becomes clear that Turiddu and Lola were going to get married, but the young man went to the war, when he came back, he found Lola married to Alfio. Turiddu tried to find relief in a new love and fell in love with Santuzza. But now Lola became obsessed with envy and jealousy and again seduced Turiddu. Santuzza, abandoned and dishonoured,
went to Mamma Lucia to share her sorrow. Horrified Lucia goes to the church to pray; Turiddu, who returned to the tavern, is not glad at all to see Santuzza. A tense dialogue begins, Turiddu insistently denies Santuzza’s accusations and when Santuzza tells him that he was near Lola’s house at daybreak, infuriated he blames her for spying on him.

Their conflict is interrupted by Lola’s appearance, who is strolling in the street singing light heartedly. She asks Santuzza sarcastically why she is not at Mass on this Easter Day. Santuzza answers that only sinless people can attend the mass. Hearing this Lola thanks God and this irony infuriates Santuzza. Lola continues on her way, the couple continues elucidating their problem. At last, a bored Turiddu follows Lola. Santuzza’s vain entreaties change into damnations: “It’s a bad Easter day for you, I swear”, she shouts after her former fiancé. Santuzza fulfills her threat, She comes across Alfio in the street and tells him about his wife’s and Turiddu’s treachery. “I will revenge this treachery before sunset!” Alfio swears.

The mass is over. Turiddu asks Lola to stay, but she is eager to go home to see her husband. Turiddu assures her that Alfio will also be there soon. Lola agrees and Turiddu offers everybody a glass of wine in Mamma Lucia’s tavern. Alfio appears and the situation becomes tense. Alfio rejects the wine offered by the host. “I can’t accept the wine offered by you, that wine will turn into poison in a second!” he says. The women take Lola out and the tension reaches its climax when Turiddu bites Alfio on the ear, this means a challenge. They will fight with knives. But at that moment Turiddu realizes that he has done wrong, especially to Santuzza, who will be quite alone if he is killed. That is why he feels obliged to save his own life by stabbing Alfio in the heart.
Alfio tells him coldly that he will be waiting for him behind the orchard.
.
Turiddu, left alone, calls for his mother. He tells her that the wine has made him giddy and that he is going out to breathe some air. But before that he asks her to bless him in the same way as she blessed him when he was going to the army, and if anything happens to him to take care of Santuzza, to whom he once promised to lead her to the altar. The vague words of her son puzzle and alarm Mamma Lucia, but Turiddu blames the wine for everything, asks her to pray for him, says good-bye and runs away.
Lucia runs after her son, but she comes across Santuzza in the doorway. The women embrace each other. In the incomprehensible shouts coming from afar horrible words are eventually distinguished: “Turiddu has been killed”.

 

LA NAVARRAISE

The action takes place in a village near Bilbao during the Second Carlist War, in the spring of 1874. Soldiers returning from the assault on Bilbao gather in the village square, bringing in the wounded and the dead. General Garrido is troubled by the heavy toll of the attack and that the city has once again fallen into the hands of the Carlist leader, Zuccaraga.

Anita, a girl from Navarre, prays over a small statuette of the Virgin Mary hidden in her clothing for the safety of Araquil, a soldier who suddenly appears among the troops. Remigio, Araquil’s father, looks scornfully at the ragged young woman and asks his son what he is doing with this Navarrese tramp. Anita explains that she is from Pamplona, where her family members died, and recounts how she first met Araquil at a festival two years earlier and how they immediately fell in love. Remigio decides he will allow them to marry, but only if Anita brings a dowry of two thousand douros. Anita and Araquil beg him to change his mind, but he refuses to yield.

Garrido approaches Araquil and questions him about his officers. It turns out they were all killed in the battle. Garrido then promotes Araquil to lieutenant. Remigio is extremely pleased, and father and son leave the square.

Anita, in despair, remains in the square and overhears General Garrido laying out his plan of attack. He has almost no officers left. Garrido is prepared to pay any amount to whoever can rid him of Zuccaraga. Anita hastily makes a deal with him and disappears from the square.

Araquil, dressed in a lieutenant’s uniform, wants Anita to see him, but she is nowhere to be found. The soldier Ramon relays a conversation among some newly arrived wounded men: they saw a woman hurrying toward the Carlist camp, asking after Zuccaraga. ‘Probably a spy,’ Ramon concludes.  Overcome with jealousy, Araquil rushes off to find Anita.

At dawn, Anita, covered in blood, arrives to claim her reward from Garrido. She receives the promised payment, but, at the same time, does not wish to reveal to anyone the price she had to pay for it. Meanwhile, Araquil, wounded in the head, returns to the village. Anita cannot hide her joy - she has obtained the longed-for two thousand douros, and now they can marry. However, Araquil believes she earned the money by selling her body. Anita can only say she did nothing wrong, but Araquil does not believe her.

The distant tolling of bells accompanies the arrival of Remigio, Ramon, and the doctor. It turns out that  Zuccaraga has been killed. Only now does Araquil realise everything. "The price of blood! What a horror!" he exclaims before dying. Stricken with grief, Anita desperately searches for something to end her life. Her hands grasp a small statue of the Virgin Mary. Losing her mind, she begins to speak as if Araquil were still alive, believing that the mourning bells are actually ringing for their wedding. Then, she bursts into horrible laughter and collapses, unconscious.